Chessworld.net founded in 2000 is an online chess site.Chess is a game of strategy, skill, and deep thought — and it all revolves around its six unique pieces. Each chess piece plays a crucial role, with distinctive moves, strengths, and strategic value.
On this page, you’ll find a comprehensive guide to the history, movements, and roles of the King, Queen, Rook, Bishop, Knight, and Pawn. Additionally, explore fun trivia and insightful facts about these pieces to deepen your understanding and appreciation of the game.
Whether you are a beginner learning the basics or an experienced player refining your strategy, mastering the chess pieces is essential for your journey to chess mastery.
The entire game is about protecting your king and checkmating your opponent's king.
The king moves one square horizontally, vertically, or diagonally.
Castling lets the king move two squares toward a rook and the rook jump over the king for safety and rook activation.
A king may never move to a square attacked by enemy pieces.
When the king is not in check but cannot move legally, the game is a stalemate (draw).
Unlike other pieces, the king’s value is immeasurable since losing it means losing the game.
In the endgame, the king often becomes a powerful attacking piece.
Castling first appeared in the 15th century as a way to quickly shelter the king.
Kingside castling is shorter and more common, queenside castling is longer but can lead to aggressive play.
The king represents the monarch, symbolizing the ultimate goal to protect.
The queen can move any number of squares in any direction—vertically, horizontally, or diagonally.
The queen’s movement combines the capabilities of both the rook and bishop.
Historically, the queen was less powerful and called the “fers” or “advisor.”
The queen’s increased power coincided with changes in chess rules during the Renaissance.
She is the highest-value piece aside from the king, with roughly triple the power of a rook or bishop.
Due to her combined movements, the queen often controls a large portion of the board.
Her versatility makes her key in attacking combinations and defensive setups.
With proper support, a queen can force checkmate against a lone king.
Queen sacrifices are among the most dramatic and common in chess tactics.
Older chess literature sometimes refers to the queen as “lady” or “queen consort.”
Its design mimics a turret, symbolizing strength and fortification.
They cannot move diagonally but control open lines powerfully.
Rooks are especially powerful when doubled on open files.
Castling involves the rook moving next to the king to safeguard the monarch and develop rook activity.
They are typically valued more than knights or bishops but less than the queen.
With more open lines later in the game, rooks gain significant power.
They can immobilize enemy pieces by threatening the king or queen behind them.
Strong control of files is a strategic goal for rooks in middlegames and endgames.
The term has roots in Persian, where "rukh" meant chariot, reflecting the piece’s original representation.
For example, in French, the rook is called "la tour," meaning tower.
They cannot jump over pieces and control squares of one color only.
One bishop moves on light squares and the other on dark squares.
Having both bishops can provide strong board control, especially in open positions.
The piece’s name and design reflect the bishop’s historical link to the church.
They are roughly equal in value to knights, with some advantages in open positions.
Due to diagonal movement, bishops can influence the board from a distance.
Bishops can be limited by pawn chains, especially if trapped behind them.
Developing a bishop to the second rank of a flank file, typically on b2 or g2, is called a fianchetto.
Open diagonals enhance bishop power, while blocked pawns restrict it.
All other pieces are secular; only the bishop references a church office.
Two squares in one direction and then one square perpendicular.
Unique among chess pieces, knights can leap over any piece on the board.
They are roughly equivalent to bishops in terms of value.
When centrally placed, knights can influence eight squares simultaneously.
Their ability to jump makes them valuable where pawns block long-range pieces.
They always move to a square of opposite color each turn.
Their design is based on a horse’s head, reflecting cavalry origins.
Historically knights were mounted soldiers.
Knights are known for forks—attacking two or more pieces simultaneously.
Improperly placed knights can be vulnerable to pawn chains and blockades.
Each player starts with eight pawns, the foot soldiers of chess.
Their unique movement makes pawn structure complex and strategic.
This double step can quickly open lines and influence the center.
When a pawn moves two squares from its starting position, an enemy pawn can capture it “in passing” on the next move.
Pawns can be promoted to queen, rook, bishop, or knight, often dramatically changing the game.
Though weakest individually, their structure and potential make them powerful.
Closed, open, or isolated pawns affect piece mobility and strategy.
A passed pawn has no enemy pawns blocking its path to promotion.
Two pawns of the same color on one file can be vulnerable and limit mobility.
An isolated pawn has no friendly pawns on adjacent files.
Designed in 1849, Staunton pieces are the international standard for tournament play.
Values help players evaluate trades and strategies.
For example, the bishop is "alfil" (elephant) in Spanish and Arabic.
Eight ranks and eight files create the classic grid.
Control of key squares often determines tactical and strategic opportunities.
White pieces occupy ranks 1 and 2, black on ranks 7 and 8.
Every player starts with one king and one queen each.
These minor and major pieces provide balance to the army.
Eight pawns shield the more valuable pieces behind them.
Once captured, a piece is out of the game for good.
Early chess-like games featured different names and shapes for pieces.
Designed for clarity and stability during play.
Examples include elephants (bishops) and horses (knights).
Names were adapted to fit Christian Europe when chess spread westward.
Its power was greatly increased during the 15th century.
Chinese Chess (Xiangqi) and Japanese Chess (Shogi) use very different pieces.
Reflects the military origins of chess.
Representing strength and protection.
Ivory, wood, bone, and even precious metals.
Some sets are prized museum pieces today.
Advancing pawns help dominate central squares early.
Central knights can jump to many squares, maximizing influence.
Positioning bishops on open diagonals increases their power.
Controlling open files allows rooks to penetrate enemy territory.
They often lead attacks due to their range and speed.
It moves from protection to offense as the board opens up.
Pieces working together create stronger attacks and defenses.
Players trade when it benefits their position or pawn structure.
Pieces are used to restrict enemy piece movement.
These tactics can win material or create positional advantages.
It simultaneously improves king safety and rook activity.
This special pawn capture can only occur immediately after a two-step pawn move.
It’s legal to have two or more queens on the board after promotion.
Attacking two or more pieces simultaneously to win material.
Pinning a piece to the king or queen restricts its movement.
Attacking a valuable piece forcing it to move and exposing a lesser piece behind.
Moving one piece reveals an attack from another.
A check delivered by two pieces simultaneously can only be countered by moving the king.
Players sometimes sacrifice pieces to break through defenses.
Even powerful pieces can be trapped in zugzwang scenarios.
Each move lands the knight on the opposite color square.
Depending on the position, a bishop can be stronger or weaker than a knight.
Rooks on the same rank or file support each other for powerful attacks.
Pawn chains are diagonally connected pawns protecting each other.
Its active role is crucial for advancing pawns to promotion.
Because it’s so valuable, opponents often target the queen early.
Because of their unique movement, they often fork king and queen or other pieces.
Blocked diagonals limit a bishop’s effectiveness.
They help escort pawns down the board to promotion squares.
Isolated pawns lack support; backward pawns lag behind in pawn structure.
Reflects the pawn’s role as a foot soldier in the chess army.
Derived from the piece's adaptation in medieval Europe.
Originally represented a war chariot.
Reflecting medieval cavalry units.
Its power grew during the Renaissance period.
For example, in Russian the rook is called “ladya” (boat), in Spanish the bishop is “alfil” (elephant).
Its central importance reflects the monarchy’s role in medieval society.
Reflecting cultural variations as chess spread.
Few other board games feature this jumping move.
Its transformation coincided with changing views on monarchy and power.
Since all 8 pawns can promote, plus the original queen, up to 9 queens per side are possible.
Basic endgame skill where the queen confines the opponent’s king.
Though trickier than queen endgames, it’s a winning combination.
They need help to deliver checkmate because they cover limited squares.
They only advance forward, making their movement irreversible.
Opening with a pawn helps control the center early.
Early queen development can expose it to attacks.
Because their natural squares are more immediate and don’t block bishops.
Once moved, those pieces lose the right to castle.
All squares the king moves through must be safe.
In rare variants or puzzles, this rule can change.
Such as the “Amazon” which moves like a queen and knight combined.
Sometimes promoting to a knight instead of queen is the winning move.
A tactical rook maneuver named after a famous game.
Due to their jumping ability when pawns block long-range pieces.
Because diagonals are freer and longer.
To support their advance towards promotion.
Unlike the opening and middlegame, the king becomes an active attacker.
A special capture that rarely occurs but is important.
Every move lands on the opposite color.
He famously valued the queen’s role in his games.
His daring play often involved queen sacrifices.
Played by Anderssen, it included a brilliant queen sacrifice.
His games showcased the power of two bishops.
He used knights aggressively in many winning games.
Rook moves up and then swings horizontally for attack.
His mastery involves fluid piece coordination.
Often used to break king safety.
Effective for winning material early on.
Along with the queen, it’s classified as a heavy piece.
Because knights’ best squares are more immediate.
It wastes time and slows development.
Central control improves piece mobility.
Castling early usually improves safety.
Uncoordinated pieces can’t defend or attack well.
Controlling open files can lead to infiltration.
They influence more squares from central locations.
Keep diagonals open for bishop mobility.
Pawn structure shapes piece activity.
Trades should improve your strategic or material situation.
The known longest forced mate is 10 moves.
Chess popularized this distinctive L-shaped move.
King promotion is illegal.
If all pawns promote to knights, though extremely rare.
Early in the game, the king stays hidden.
Quick queen attacks can decide games early.
Useful in tactics and pressure buildup.
Controlling the opponent’s second rank.
Knights placed on squares protected by pawns cannot be chased away easily.
Pawns create “holes” that pieces can occupy.
From medieval sets to modern sculptures.
Ivory, gold, and even precious stones.
The rise of queens in history paralleled chess piece changes.
Reflecting medieval ideals.
Mirroring castles and fortresses.
Their advance symbolizes progress and sacrifice.
Symbolizing the fragility of power.
Symbolizing strategy, war, and intellect.
Examples include Salvador Dali and Man Ray.
From dreams to psychology.
Checkmate in two moves is possible with a coordinated queen and bishop attack.
One of the most common winning tactics.
Known as the “Greek Gift” sacrifice.
Rook lifts and doubles are key attacking strategies.
Coordination is essential for mating nets.
Strategic pawn pushes open files and diagonals.
Where rooks or queen checkmate on the back rank.
Protected squares where knights are safe and threatening.
Creating tactical pressure and winning material.
Where pawns block its mobility.
The king often fights for space and pawn promotion.
They control open ranks and files to restrict the enemy king.
Because they cover both color complexes.
When pawns block long-range movement.
Supporting pieces help promote these pawns.
With well-known winning and drawing positions.
They require precise technique.
But must avoid stalemate traps.
It can prevent enemy pawns from advancing.
Because they control different color complexes.
The six chess pieces are King, Queen, Rook, Bishop, Knight, and Pawn, each with unique moves and strategic roles.
The Queen is the most powerful piece, able to move any number of squares in any direction.
The King moves one square in any direction and must be protected at all costs.
Castling is a special move involving the King and Rook to safeguard the King and develop the Rook.
Pawns promote to a Queen or other piece upon reaching the opponent's back rank.
Pieces have approximate values to help players decide on exchanges: Pawn=1, Knight/Bishop=3, Rook=5, Queen=9.
A comprehensive list showing the names of chess pieces worldwide:
Note: The names of chess pieces listed here reflect the most widely recognized terms used in their respective languages and countries. Due to the rich cultural diversity and linguistic variations worldwide, some names—especially in regional or less commonly spoken languages—may differ based on dialects, transliterations, or local usage. We have sourced this information from reputable chess literature, multilingual resources, and community contributions where official data was not available. If you notice any discrepancies or can provide additional verified names, please contact us—we welcome your input to make this resource even better!
| Country / Language | King | Queen | Rook | Bishop | Knight | Pawn |
|---|---|---|---|---|---|---|
| English | King | Queen | Rook | Bishop | Knight | Pawn |
| Spanish | Rey | Reina | Torre | Alfil | Caballo | Peón |
| French | Roi | Dame | Tour | Fou | Cavalier | Pion |
| German | König | Dame | Turm | Läufer | Springer | Bauer |
| Russian | Король (Korol') | Ферзь (Ferz') | Ладья (Lad'ya) | Слон (Slon) | Конь (Kon') | Пешка (Peshka) |
| Mandarin Chinese | 王 (Wáng) | 后 (Hòu) | 车 (Chē) | 象 (Xiàng) | 马 (Mǎ) | 兵 / 卒 (Bīng / Zú) |
| Italian | Re | Regina | Torre | Alfiere | Cavallo | Pedone |
| Portuguese | Rei | Rainha | Torre | Bispo | Cavalo | Peão |
| Hindi | राजा (Rājā) | मंत्री (Mantrī) | हाथी (Hāthī) | ऊँट (Ūnṭ) | घोड़ा (Ghoṛā) | प्यादा (Pyādā) |
| Arabic | ملك (Malik) | وزير (Wazīr) | رخ (Rukh) | فيل (Fīl) | حصان (Ḥiṣān) | جندي (Jundī) |
| Japanese | 王将 (Ōshō) | 女王 (Joō) | 飛車 (Hisha) | 角行 (Kakugyō) | 桂馬 (Keima) | 歩兵 (Fuhyō) |
| Korean | 왕 (Wang) | 여왕 (Yeowang) | 차 (Cha) | 상 (Sang) | 마 (Ma) | 졸 (Jol) |
| Dutch | Koning | Vrouw | Toren | Loper | Paard | Pion |
| Swedish | Kung | Drottning | Torn | Löpare | Springare | Bonde |
| Turkish | Şah | Vezir | Kale | Fil | At | Piyon |
| Polish | Król | Królowa | Wieża | Goniec | Skoczek | Pion |
| Greek | Βασιλιάς (Vasilias) | Βασίλισσα (Vasilissa) | Πύργος (Pyrgos) | Επίσκοπος (Episkopos) | Άλογο (Álogo) | Πιονιέρo (Pioniero) |
| Hebrew | מלך (Melech) | מלכה (Malka) | צריח (Tzariach) | רץ (Retz) | סוס (Sus) | חייל (Chayal) |
| Finnish | Kuningas | Kuningatar | Torni | Lahetti | Ratsu | Sotilas |
| Norwegian | Konge | Dronning | Tårn | Løper | Springer | Bonde |
| Danish | Konge | Dronning | Tårn | Løber | Springer | Bonde |
| Hungarian | Király | Vezér | Bástya | Futó | Huszár | Gyalog |
| Czech | Král | Královna | Věž | Střelec | Jezdec | Pěšec |
| Slovak | Kráľ | Královná | Veža | Strelec | Jazdec | Pešiak |
| Bulgarian | Цар (Tsar) | Дама (Dama) | Топ (Top) | Офицер (Ofitser) | Кон (Kon) | Пешка (Peshka) |
| Romanian | Rege | Regină | Turn | Nebun | Cal | Soldat |
| Indonesian | Raja | Ratu | Benteng | Gajah | Kuda | Bidak |
| Malay | Raja | Ratu | Benteng | Gajah | Kuda | Bidak |
| Tagalog (Filipino) | Hari | Reyna | Tore | Obispo | Kabayo | Piyon |
| Vietnamese | Vua | Hậu | Xe | Tượng | Mã | Tốt |
| Thai | พระราชา (Phra Racha) | พระมเหสี (Phra Mahesi) | เรือ (Ruea) | โคน (Khon) | ม้า (Ma) | เบี้ย (Bia) |
| Persian (Farsi) | شاه (Shah) | وزیر (Vazir) | رخ (Rokh) | فیل (Fil) | اسب (Asb) | پیاده (Piyadeh) |
| Esperanto | Reĝo | Reĝino | Torreo | Episkopo | Ĉevalo | Peono |
| Icelandic | Kóngur | Drottning | Turn | Fíll | Hestur | Bóndi |
| Irish | Rí | Banfhiaclach | Diúlach | Easpag | Capall | Pionna |
| Welsh | Brenin | Y Frenhines | Tro | Esgob | Ceffyl | Padren |
| Basque | Errege | Erregina | Gotorr | Eliza | Zaldia | Peoi |
| Latvian | Karalis | Karaliene | Tornis | Vārdnīca | Zirgs | Pionieris |
| Lithuanian | Karalius | Karalienė | Bokštas | Bishopas | Žirgas | Pionas |
| Catalan | Rei | Reina | Torres | Alfil | Cavall | Peó |
| Galician | Rei | Raíña | Torre | Alfil | Cavalo | Peón |
| Serbian | Kralj (Краљ) | Краљица (Kraljica) | Топ (Top) | Ловац (Lovac) | Коњ (Konj) | Пешакињ (Pešakinj) |
| Croatian | Kralj | Kraljica | Top | Lovac | Konj | Pješak |
| Armenian | Թագավոր (Tagavor) | Թագուհի (Taguhi) | Ամրոց (Amrots) | Եպիսկոպոս (Episkopos) | Ալքիմիկ (Alkimik) | Փեսա (P’esa) |
| Azerbaijani | Şah | Vəzir | Qala | Fil | At | Piyada |
| Belarusian | Кароль (Karol’) | Каролева (Karoleva) | Ладдзя (Laddzia) | Слон (Slon) | Конь (Kon’) | Пешка (Peshka) |
| Bengali | রাজা (Raja) | রানী (Rani) | রথ (Rôth) | উলু (Ulu) | ঘোড়া (Ghora) | পদাতিক (Podatik) |
| Bosnian | Kralj | Kraljica | Top | Lovac | Konj | Pješak |
| Breton | Roi | Reine | Tour | Ebo | Marh | Penn |
| Catalan (Valencian) | Rei | Reina | Torres | Alfil | Cavall | Peó |
| Corsican | Re | Regina | Torra | Alfìu | Caballu | Pedone |
| Esperanto (extended) | Reĝo | Reĝino | Torreo | Episkopo | Ĉevalo | Peono |
| Estonian | Kuningas | Kuninganna | Torn | Oss | Ratsu | Sõdur |
| Filipino (Tagalog) | Hari | Reyna | Tore | Obispo | Kabayo | Piyon |
| Flemish | Koning | Vrouw | Toren | Loper | Paard | Pion |
| Frisian | Kening | Keninginne | Tún | Biskop | Hynder | Pion |
| Galician | Rei | Raíña | Torre | Alfil | Cavalo | Peón |
| Georgian | მეფე (Mefe) | მეფე ქალი (Mefe K’ali) | დარბაზი (Darbazi) | ეპისკოპოსი (Episkoposi) | ცხენი (Tskheni) | ფეხოსანი (P’ekhosani) |
| Hausa | Sarki | Sarauniya | Hasumiya | Bishof | Doki | Dawa |
| Hawaiian | Mōʻī | Mōʻīwahine | Kīpapa | Kāpena | Lio | Koa |
| Hmong | Tswv | Tswv Yawg | Lub Tsev | Tswv Ntuj | Neeg Ncaws Pob | Neeg Ncaws Phaj |
| Icelandic | Kóngur | Drottning | Turn | Fíll | Hestur | Bóndi |
| Igbo | Eze | Nwunye Eze | Ụlọ | Ụzọ Ndú | Ègwú | Ụgbọ ala |
| Inuktitut | ᐊᔭᕙᒃ (Ajavak) | ᐊᔭᕙᒃᓴᕈᑦ (Ajavaksarut) | ᑭᓯᐅᖅ (Kisiuq) | ᐊᐅᔭᕙᒃ (Aujavak) | ᐊᔭᒃᓴᖅ (Ajaksak) | ᑎᑎᕙᒃ (Titivak) |
| Irish Gaelic | Rí | Banfhiaclach | Diúlach | Easpag | Capall | Pionna |
| Jamaican Patois | King | Queen | Rook | Bishop | Knight | Pawn |
| Javanese | Raja | Ratu | Benteng | Gajah | Kuda | Bidak |
| Kannada | ರಾಜಾ (Rāja) | ರಾಣಿ (Rāṇi) | ಗೋಡಲಿ (Gōḍali) | ಬಿಷಪ್ (Bishop) | ಅಶ್ವ (Ashva) | ಪೋನ್ (Pōn) |
| Kazakh | Патша (Patsha) | Патшайым (Patshayim) | Мұнара (Munara) | Патша кеңесшісі (Patsha keńesşi) | Ат (At) | Жаяу (Zhajau) |
| Khmer | ព្រះមហាក្សត្រ (Preah Mahaksat) | ព្រះមហាក្សត្រី (Preah Mahaksatrei) | កាឡា (Kala) | មេបូជាក់ (Me Bojak) | សេះ (Seh) | ពព្រៃ (Poprei) |
| Kinyarwanda | Umwami | Umwamikazi | Inzu y’Umurwanashyaka | Umupasiteri | Igikundiro | Umusirikare |
| Korean | 왕 (Wang) | 여왕 (Yeowang) | 차 (Cha) | 상 (Sang) | 마 (Ma) | 졸 (Jol) |
| Kurdish (Kurmanji) | Şah | Vezir | Kale | Fil | Hesp | Piyadeyê |
| Latin | Rex | Regina | Turres | Episcopus | Eques | Pedes |
| Latvian | Karalis | Karaliene | Tornis | Vārdnīca | Zirgs | Pionieris |
| Lithuanian | Karalius | Karalienė | Bokštas | Bishopas | Žirgas | Pionas |
| Macedonian | Крал (Kral) | Кралица (Kralica) | Топ (Top) | Слепец (Slepec) | Коњ (Konj) | Пешак (Peshak) |
| Malayalam | രാജാവ് (Rājāv) | രാജ്ഞി (Rājñi) | കോട്ട (Kōṭṭa) | ബിഷപ്പ് (Bishop) | കുതിര (Kutira) | പ്യാദ (Pyāda) |
| Maori | Kingi | Kuīni | Turuturu | Hopekaru | Hōiho | Kōpū |
| Mongolian | Хаан (Khaan) | Хатан хаан (Khatan Khaan) | Цамхаг (Tsamkhag) | Эпископ (Episkop) | Морь (Mori) | Яндан (Yandan) |
| Nepali | राजा (Rāja) | रानी (Rānī) | किल्ला (Killā) | बिशप (Bishop) | घोडा (Ghoḍā) | प्यादा (Pyādā) |
| Norwegian | Konge | Dronning | Tårn | Løper | Springer | Bonde |
| Oromo | Mooyyee | Mooyyittii | Mana cimdaa | Ayyaanaa | Fardaa | Lolaa |
| Pashto | بادشاه (Badshah) | ملکه (Malika) | قلعه (Qala) | فیل (Fil) | اسپ (Asp) | پیاده (Piyada) |
| Polish | Król | Królowa | Wieża | Goniec | Skoczek | Pion |
| Punjabi | ਰਾਜਾ (Rājā) | ਰਾਣੀ (Rāṇī) | ਕਿਲ੍ਹਾ (Kilha) | ਬਿਸ਼ਪ (Bishop) | ਘੋੜਾ (Ghoṛā) | ਪਿਓਦਾ (Piodā) |
| Quechua | Sapa | Warmi | Qala | Qillu | Ch'aki | Wawa |
| Romanian | Rege | Regină | Turn | Nebun | Cal | Soldat |
| Russian | Король (Korol') | Ферзь (Ferz') | Ладья (Lad'ya) | Слон (Slon) | Конь (Kon') | Пешка (Peshka) |
| Samoan | Malo | Tupuā | Faleamāe | Faifeʻau | Lona | Fitā |
| Serbian | Kralj (Краљ) | Краљица (Kraljica) | Топ (Top) | Ловац (Lovac) | Коњ (Konj) | Пешак (Peshak) |
| Sesotho | Khosi | Moholo | Sebaka | Moprofeta | Masole | |
| Shona | Mambo | Mambokadzi | Imba | Mupirisita | Bhasikoro | Musora |
| Slovak | Kráľ | Královná | Veža | Strelec | Jazdec | Pešiak |
| Somali | Boqor | Boqorad | Qalcad | Ba’adari | Fardo | Askari |
| Sotho | Khosi | Moholo | Sebaka | Moprofeta | Koloi | Masole |
| Spanish (Latin America) | Rey | Reina | Torre | Alfil | Caballo | Peón |
| Sundanese | Raja | Ratu | Benteng | Gajah | Kuda | Bidak |
| Swahili | Mfalme | Malkia | Kifalme | Kahaba | Farasi | Kijana |
| Swedish | Kung | Drottning | Torn | Löpare | Springare | Bonde |
| Tamil | மன்னன் (Maṉṉaṉ) | ராணி (Rāṇi) | கோட்டை (Kōṭṭai) | ஆயர் (Āyar) | குதிரை (Kutirai) | சிப்பாய் (Cippāy) |
| Telugu | రాజు (Rāju) | రాణి (Rāṇi) | కోట (Kōṭa) | బిషప్ (Bishop) | గుర్రం (Gurraṁ) | పదది (Padadi) |
| Thai | พระราชา (Phra Racha) | พระมเหสี (Phra Mahesi) | เรือ (Ruea) | โคน (Khon) | ม้า (Ma) | เบี้ย (Bia) |
| Tibetan | རྒྱལ་པོ་ (Rgyal-po) | མོ་རྒྱལ་པོ་ (Mo-rgyal-po) | རྩེ་ཁང་ (Rtse-khang) | རྒྱ་མོ (Rgya-mo) | རྟ (Rta) | དབྱིངས་སྐད་ (Dbyings-skad) |
| Tigrinya | ንጉሠ ነገሥት (Nigusä Nägäśt) | ንጉሥቲ ነገሥቲ (Nigusṭi Nägästi) | ቤተ መንግስቲ (Bete Mengsti) | ኣብስተር (Abster) | ፈረስ (Färäs) | ሰራዊት (Serawit) |
| Turkish | Şah | Vezir | Kale | Fil | At | Piyon |
| Ukrainian | Король (Korol’) | Ферзь (Ferz’) | Тура (Tura) | Слон (Slon) | Кінь (Kin’) | Пішак (Pishak) |
| Urdu | بادشاہ (Badshah) | وزیر (Wazir) | قلاع (Qila) | ہاتھی (Hathi) | گھوڑا (Ghoda) | پیادہ (Piyada) |
| Uyghur | پادىشاھ (Padishah) | ۋەزىر (Wazir) | رۇخ (Rukh) | فىلا (Fila) | ئات (At) | پىيا (Piya) |
| Uzbek | Shoh | Vazir | Qal'a | Fil | Ot | Piyoda |
| Vietnamese | Vua | Hậu | Xe | Tượng | Mã | Tốt |
| Welsh | Brenin | Y Frenhines | Tro | Esgob | Ceffyl | Padren |
| Xhosa | Inkosi | Inkosi yabasetyhini | Isinqaba | Isangoma | Indlovu | Isicukulu |
| Yoruba | Oba | Ayaba | Agbo ile | Agba ile | Ejò | Ọmọ ogun |
| Zulu | Inkosi | Inkosi yabesifazane | Isinqaba | Isangoma | Indlovu | Isicukulu |
This extensive list illustrates the global cultural diversity reflected even in chess piece names, connecting the universal love of chess with unique local heritage.
Improve your understanding and strategy with these top courses from ChessWorld.net: